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Academic journals | The interdisciplinary field
It is very important that research on arts in health is studied by scholars in other fields. Arts in health research is found in journals of medicine, social work, nursing, fine arts, community development, and others. Alongside that, we have our own interdisciplinary research identity, for example in two international, peer-reviewed journals publish specificallyl devoted to arts in health.
Arts & Health: An International Journal for Research, Policy and Practice
This peer-reviewed journal publishes international research from the arts in health field, including clinical studies on the health benefits of the arts as well as best practices, policy analysis, and investigations of institutional issues. The journal pays special attention to the transformative role that the arts can play in public health, community care, and clinical settings. The editorial board targets a diverse audience of international researchers, policy makers, artists, healthcare professionals, and community workers. Read here.
The Journal of Applied Arts & Health
Although this journal is supported by the International Expressive Arts Therapy Association, they use the term ‘arts & health’ very broadly to include therapeutic practice as well as non-therapeutic participatory arts, artistic research, and a range of other wellbeing-related arts studies. First published in 2010, this peer-reviewed journal publishes evaluations of programmes, as well as interdisciplinary issues, policy, and editorials. Read the journal here.
Summary | Music for Health

Arts in health professionals use a variety of approaches to support the wellbeing of healthcare patients and staff, in hospitals and also in long-term care facilities. This might include anything from listening to recordings to a live performance at a patient’s bedside, or getting staff and families to sing and play along, and even improvising new music with patients and families.
In hospitals
Music for health projects are enhancing the well-being of patients and staff in hospitals around the Netherlands. For instance, the Boedijn music school and Dijklander Hospital are collaborating on a multi-year partnership called Muziekmaatjes (Music Buddies), using live music to create moments of relaxation, escape, and joy, among pediatric patients and their parents. Another initiative specifically designed for children is "De Liedjesfabriek’" (The Song Factory), in which children write their own songs under the guidance of a music professional. Children from all over The Netherlands get to write and record their own song on the topic they choose and in the style of music they want.
Music for health can even be found in hospital intensive care units. One example of this is the organisation MuzIC that works with interested hospitals throughout The Netherlands, supporting the recovery of patients, which can minimize the health impacts of an ICU stay. Also the organisation ‘Muziek aan bed’ (Music at the bedside) provides musical interventions on all hospital wards.

Outside the hospital
Music in health is also found in rehabilitation centers and hospices. For example, the organization Muziek aan Bed brings live music to people living with dementia in nursing homes through its Muziek aan tafel (Music at the Table) program, where everyone sings along, conducts, or moves. Professional Arts in Health organizations such as Mimic and Embrace Nederland encourage music-making in institutions as well as in private homes. Embrace Nederland also works to build social cohesion in the social domain, for example, with its "Slagkracht" project. Both Embrace Nederland and Mimic provide workshops for healthcare professionals and informal caregivers, teaching them to incorporate music into their daily interactions with patients and families.

What the science says
There is evidence that music contributes to recovery from illness, reducing pain, stress, anxiety, and depression. There are even indications that music can positively influence the immune system's responses.
In private homes, music in health professionals provide real support for people living with neurological conditions such as stroke, Parkinson's disease, or dementia.
Music appears to have positive effects on people with neurological disorders, activating the areas of the brain involved in thinking, feeling, movement, and emotion.
Research suggests that music can be a powerful tool to support the wellbeing of healthcare professionals and informal caregivers, by encouraging relaxation, building social connection, and helping staff to reflect on their work in new ways.
A study by Mimic suggests that music leads to stronger, positive contacts between patients and nurses, as well as an increase in compassion in nurses.
Professors Dick Swaab and Erik Scherder gave a lecture on Music and the Brain, which beautifully explains the positive health effects of music.
Organizations in the Netherlands in the field of Music in Health
There are many more organizations offering music in health services in hospitals, long-term care, and the social domain. Below is an overview:
- Bedside Buskers
- Muziekids
- Zingen in de Zorg
- Hier is Muziek!
- Muziek voor de Zorg
- Genetic choir
- REVA BEATS
- Stichting Muziek in Huis
- Zing mee in het Participatiekoor
- Bedside Singers – Zingen voor de ziel op reis)
- MuzIC
- Mimic muziek
- ThuisMuziekZorg
- De Liedjesfabriek
- Muziek Aan Bed
Pilot | Meet the artists of Buur & Boek

Willemijn van de Walle | Korrewegwijk

On community: “The group in Korrewegwijk reflects the city: diverse, multilingual and constantly changing. Participants vary in age and background, and bring different relationships to reading and language. Differences are present and openly discussed. Questions raised by the literature — such as where someone really comes from — often open up conversations in which multiple viewpoints exist alongside one another.”
On safe space: “Among the participants there is a willingness to go beyond the surface. When one member speaks openly, others follow. Through small, attentive gestures — sharing tea, listening without interruption — a safe space develops where personal stories can be told.”
On connection: “Meeting on Tuesday evenings, the group is a place for people to pause together. People come looking for calm and connection. Together, we use literature and poetry to help focus our attention, and to support moments of genuine encounter.”
Gemma Jissink | Noordlaren

On common interests: “Noordlaren has many overlapping networks. Buur & Boek has added another one: a group of people who connect through their common interest in stories and poems, and their curiosity and willingness to explore together.”
On engagement: “Many of the participants already know one another, but reading and discussing stories and poems creates a new kind of closeness. This closeness is valuable, and at the same time the atmosphere must also remain open and light. People feel involved in the practical aspects of the project, and also in the content, so they stay engaged.”
On shared experience: “In this group, literature is a shared experience for us. Stories and personal reflections continue to emerge and surprise all of us—including me, as the facilitator.”
Lieke van den Krommenacker | Beijum – Feerwerd
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On everyday life: “We have a small group of very committed readers who meet regularly. Ages range from early thirties to late seventies. Short stories and poetry provided the starting point for this group, but our conversations now move easily between discussing literature and everyday life.”
On sharing: “Over time, our relationships have deepened. Participants begin to share more of themselves, they exchange books, they offer reading suggestions to each other. Some of our members have started writing, which they share with the group.”
On care: “After a few meetings, you can see a sense of care emerging in the group. Through shared attention and working together, the group has developed a kind of togetherness, and it becomes more meaningful the more we read and reflect together.”.
Charlotte Beerda | Finsterwolde

On knowing each other: “Many of the participants in the Finsterwolde group have known each other for years. The group is warm, and also has a certain reserve. Personal sharing unfolds slowly, and humour is important in this group, and laughter is common.”
On vulnerability: “Vulnerability is not something we aim for in the group, but rather the point is being together and sharing. Trust is more felt than spoken in the group, it is in the atmosphere, and in all the ways they are patient, attentive and appreciative of each other.”
On the unexpected: “Unexpected moments arise: someone shares a poem, or two married people discover they have both started writing, but without the other realising it. These wonderful moments are met with caring and gradually more space opens for writing and sharing, guided by the rhythm of the group.”
Pilot | Meet the artists at UMCG
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Wiesje Gunnink, visual artist | Orthopedics department
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“At first, the hospital felt like an overwhelming maze. I began by observing, getting to know staff, and finding moments for art breaks. Some weren’t keen to make art yet I soon felt welcome, especially among the doctors, whose openness encouraged collaboration. Working with healthcare staff felt like finding a missing puzzle piece, connecting my artistic practice with my background in a family of care workers. I translated my experiences into poems and visual works, discovering parallels between art and care, such as precision, repetition, and dedication. Together we created by drawing lines without looking, pulling threads, cutting, gluing, and reflecting on how the past, present, and future meet in care”
Emma Berentsen, performance artist | Hepato-Pancreato-Biliary surgery department
“At the start of the project, I shadowed different people from the HPB department, from observing liver transplants to joining nurses in their patient meetings. I quickly learned how flexible everyone had to be with their time and decided to claim ten minutes in the weekly team meetings for my own artistic moments, which I called Emma’s Dilemmas. Finding time and space for art wasn’t always easy, and in the beginning, I sometimes felt unnecessary among people with “real” jobs. But as I grew closer to the team, I felt more at ease. Watching a liver transplantation struck me as an artwork in itself, the precision, rhythm, and silent collaboration between surgeons almost felt like a choreography. Seeing everyone create blackout poems together was one of the highlights of the project. In those moments, I noticed small signs of connection and vulnerability as people revealed something of themselves beyond their professional roles.”
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Eva Koopmans, relational artist and designer | Spiritual Care department
“Chaplains occupy a unique position in the hospital: one of great freedom and of deep attentiveness to the humanity of each patient. Initially, I had expected to accompany them during patient visits, but for privacy reasons that wasn’t possible. This felt limiting at first but then became a source of inspiration. I realized that their work often goes unnoticed within the hospital structure, they are literally and figuratively invisible. Once, I even went on a small quest through the hospital to find their workspace, only to discover that few people knew where it was. That invisibility became central to the project: how could we make their work visible and tangible? We are now creating an artistic representation of the safe space they build with patients—a space where everything can be said and nothing has to be solved. I’ve come to feel at home within the hospital, part of a team whose quiet presence spreads like ink in water”
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Morgan Ton, visual artist and filmmaker | Beatrix Children’s Hospital

“I began by shadowing nurses, physicians, and palliative care professionals to understand their workload, rhythms, and perspectives on care. This helped me shape an arts-based project that would not interfere with their routines and could unfold through their own initiative. My aim was to bring a sense of playfulness and enjoyment into their busy workday. What truly struck me was how strict many staff members were about their own creativity. So in the first activity, I invited them to draw themselves, or a colleague, as a child might: using bright colours and imagination, creating space for art that did not need to be ‘perfect’. The drawings that emerged were surprising and full of play. This activity also sparked curiosity about how patients perceive their caregivers. That led to a second assignment in which staff asked patients to draw them. I was often present during these drawing moments, and it was moving to see how such a simple request created moments of connection, distraction, and joy. It encouraged caregivers to sit with patients without a medical reason, and to experience a shift in roles by becoming the ones observed.”
Anne Varekamp, designer and visual artist | Marketing and Communication Department
“In the communications department, I’ve been exploring how creativity can ease work pressure without disrupting daily routines. We found that short, pre-planned creative sessions worked best. At first, many employees were hesitant, saying things like “I can’t do this,” but by the end of the sessions, their attitudes often shifted completely. These workshops became moments of connection, and word soon spread that they were fun, relaxing, and a great way to meet colleagues from other teams within the same department. Often staff felt too busy or didn’t see the value at first, but over time, curiosity drew more people in. The process took patience as I was keen on letting it happen organically. For me, the conversations during the workshops were the most powerful aspect. People felt safe enough to open up, not only about work, but also about personal things. And for me as an artist, it was deeply rewarding to see participants surprise themselves with their own creativity.”

Books | Introducing the science
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Curious about what books are out there in the field of arts in health? Below is a short list of popular and academic books to get you started. These introduce the research, practice, and inspiration for Arts in Health, from authors around the world — from designing interventions to understanding how creativity supports wellbeing. Whether you’re an artist, researcher, healthcare professional, or simply curious about how art and care intersect, these books invite you to explore, learn, and connect. If you have any suggestions for books that should definitely be included, please let us know!
Art Cure: The Science of How the Arts Transform Our Health | Daisy Fancourt, 2025
In her latest book Daisy Fancourt, presents the latest scientific evidence on how the arts and creativity contribute to health and wellbeing. It explores how engagement with the arts can support mental and physical health outcomes across different clinical contexts, and highlights global challenges faced by the arts sector. Art Cure invites readers to reconsider the role of the arts, not as a luxury, but as an essential part of individual and societal wellbeing.
I Heard There Was a Secret Chord, Music as Medicine | Daniel J. Levitin, 2024
In I Heard There Was a Secret Chord, neuroscientist and best-selling author Daniel J. Levitin explores the powerful relationship between music and healing, inviting readers to see music not only as art, but also as a form of care. Levitin draws on research from neuroscience and music therapy, arguing for how music can ease suffering, promote recovery, and calm the mind. The book connects scientific findings with stories of the experiences of musicians and patients, illustrating how rhythm and sound support mental and physical health. A fascinating read for anyone interested in the science and art of music as medicine.
Your Brain on Art: How the Arts Transform Us | Susan Magsamen & Ivy Ross, 2023
Your Brain on Art explores the emerging field of NeuroArts—the study of how the arts and aesthetic experiences can change the body, brain, and behaviour. The authors show how creativity affects our biology and emotions, supporting health, wellbeing, and learning. Through stories from artists and scientists, this book invites readers to see the arts not as a luxury, but as an essential part of being human. Learn more at yourbrainonart.com.
Designing and researching interventions | Daisy Fancourt, 2017
Authored by one of the leading academics in the field, Designing and Researching Interventions provides a great introduction to the history, research, and practice of Arts in Health. Whether you are building an Arts in Health program, developing a research design, or want to understand the meaning of quality in this field, Designing and Researching Interventions will be a useful guide.
Arts, Health and Wellbeing | Edited by Stephen Clift and Theo Stickley, 2008
Arts, Health and Wellbeing, offers many useful descriptions and examples from the field of arts in health. The book covers topics such as arts on prescription and music therapy, for example, exploring their application in both hospital and community settings. If you are a researcher, or a practitioner in the field, or simply looking to learn more about the growing dialogue around arts and health, this book could be a valuable resource.